The tense and brooding finale, after a stagecoach robbery goes awry and Scott and O'Sullivan find themselves hostages of the evil thieves, is in contrast to the humour and even slapstick of some of the early scenes where, far from being the untouchable hero, Scott shows himself rather foolish as he gets thrown in the dirt by a bull he inadvisedly tries to ride, then dives into a horse trough before trudging off on foot having lost his horse. Of course Patrick (Scott), as Good, ultimately triumphs over Evil and the selfish, greedy and cowardly other half of Mrs Mims (O'Sullivan) gets what he plainly deserves, conveniently freeing Doretta from a dreadful future in prospect. This Western is a cut above its fellows though and Scott's metaphorical hat is not an unblemished white nor is Boone's completely black. An important Western in its way and one which stands out from much of Scott's work
The Appaloosa of the title is not a horse but a town in need of taming, which is the stock-in-trade of Virgil Cole (Harris) and his partner Everett Hitch (Mortensen). The real problem is rancher Bragg (Irons) and his gang of amoral thugs who appear to have not the slightest respect for the law, which has angered and upset the town's leading citizens (who include Tim Spall).
Cole is reluctantly sworn in as Town Marshal with Hitch as his deputy and begins his own brand of law enforcement which mostly means shooting the transgressors and completely taking over the town.
There are plenty of classic western set pieces from saloons, to railroad, to shoot-outs but this is again much more than a straightforward good-cowboy-meets-bad-cowboy-and- fills-him-full-of-lead film. Here the main interest is actually in the characters and relationships. The main fly in the ointment is Renee Zelweger's piano-playing widow. Will any or all of them end up with her? She doesn't seem too concerned which it is as long as she gets her hands on one of them. Irons, of course is ruthless and immoral but what of Cole? He is on the side of the law but his methods appear to be similarly uncompromising. The relationship between Marshal and deputy also has a peculiarly close and almost marriage-like intensity. Adding a further nuance to this and their characters is Cole's apparent fascination with reading poetry and attempting to improve the way he speaks. He frequently paints himself into a verbal corner and has to ask his companion to come to the rescue.
A fascinatiinng and well made film which had us both saying "I didn't think they made them like that anymore. Ed Harris singing a song he co-wrote, over the credits, finished off a satisfying and very enjoyable evening's viewing.
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